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Elvis At 42 Still Dazzles Fans

Elvis At 42 Still Dazzles Fans - Elvis Presley Bootleg CD  Elvis At 42 Still Dazzles Fans - Elvis Presley Bootleg CD

 
Title: Elvis At 42 Still Dazzles Fans
Label: Matrix Recordings
Label Number: none
Release Date: 2020
Recording Type: Live recordings
Location: Ann Arbor / Michigan
Date: April 24 - 1977, Evening Show
Sound: Various (mixed)
 Track Listing: 
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
32
24
25
26
27
28
29
30
31

32		 Also Sprach Zarathustra *
See See Rider *
I Got A Woman / Amen *
Love Me **
If You Love Me (Let Me Know) **
You Gave Me A Mountain **
Tryin' To Get To You **
O Sole Mio (Sherrill Nielsen solo) **
It's Now Or Never (including false start) **
Blue Hawaii (part) ***
Little Sister ***
Teddy Bear / Don't Be Cruel ***
Help Me ***
My Way **
Polk Salad Annie **
Band Introductions *
Early Morning Rain *
What'd I Say *
Johnny B. Goode *
Ronnie Tutt solo *
Jerry Scheff solo *
Tony Brown solo *
Bobby Ogdin solo *
School Days *
Hurt (with reprise) **
Hound Dog **
Unchained Melody ***
Little Darlin' ***
Can't Help Falling In Love **
Closing Vamp **/*
Elvis has left the building / announcements *

Bridge Over Troubled Water *** (April 29, 1977)		   01:05
04:12
06:17
01:36
02:55
03:39
02:08
01:13
02:50
00:25
01:53
02:10
02:37
04:07
04:06
02:16
01:47
00:49
00:58
02:08
01:35
01:05
01:00
01:03
02:54
02:02
02:37
01:51
01:43
01:26
00:38

04:29
         
 
Note:

* Audience / ** Audience - Soundboard / *** Audience - Multitrack

3 panel digipak release!
Elvis At 42 Still Dazzles Fans - Elvis Presley Bootleg CD


Announcement:
Elvis At 42 Still Dazzles Fans - Elvis Presley Bootleg CD

Let's first explain the phenomenon "Matrix Recording".
A Matrix recording mix is a cunning mix of soundboard / multitrack recordings with audience recordings.
Sometimes soundboard recordings can sound dull. The main reason for this is that the sound engineer probably wanted to catch one particular aspect of the performance.
This can be the singing voice of the artist, or one of the instruments. These soundboard recordings can miss a lot of the ambiance that the spectators were experiencing.
An audience recording mostly never sounds dull but the quality of the singing voice of the artist is obviously of lesser sound quality.
But mixing these two creates a whole new magic. Now you can enjoy the shows as if you were there!
 

Extra note: Partially released before in soundboard quality on "Shakin' Up The Great Lakes" and other CDs.
The complete concert was published before in audience sound quality on "At Cazzie's House".