Houston, We Have A Problem
Digipak
| 01 | C. C. Rider (incomplete) | 01:26 | ||||
| 02 | I Got A Woman / Amen | 12:46 | ||||
| 03 | Love Me | 03:56 | ||||
| 04 | If You Love Me (Let Me Know) | 03:06 | ||||
| 05 | You Gave Me A Mountain | 03:37 | ||||
| 06 | All Shook Up | 01:08 | ||||
| 07 | Teddy Bear / Don't Be Cruel | 02:15 | ||||
| 08 | And I Love You So (with false start) | 04:25 | ||||
| 09 | Jailhouse Rock | 02:10 | ||||
| 10 | Fever | 03:24 | ||||
| 11 | America The Beautiful (with reprise) | 03:10 | ||||
| 12 | Polk Salad Annie | 04:33 | ||||
| 13 | Introductions by Elvis of Singers, Musicians | 07:53 | ||||
| 14 | Early Morning Rain (John Wilkinson) | 01:09 | ||||
| 15 | What'd I Say (James Burton) | 00:58 | ||||
| 16 | Johnny B. Goode (James Burton) | 00:58 | ||||
| 17 | Drum Solo (Ronnie Tutt) | 02:49 | ||||
| 18 | Bass Solo (Jerry Scheff) | 01:48 | ||||
| 19 | Bass Solo (Jerry Scheff) | 01:04 | ||||
| 20 | Piano Solo (Tony Brown) | 01:26 | ||||
| 21 | Electric Piano & Clavinet Solo (David Briggs) | 02:19 | ||||
| 22 | School Day (Joe Guercio Orchestra) | 01:06 | ||||
| 23 | Hurt | 03:27 | ||||
| 21 | Funny How Time Slips Away | 03:51 | ||||
| 22 | Can't Help Falling In Love | 01:44 | ||||
| 23 | Closing Vamp / Announcements | 02:42 | ||||
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Press note:
'HOUSTON, WE HAVE A PROBLEM...' A previously unreleased soundboard recording of Elvis Presley's controversial matinee performance at the Summit in Houston, TX, on August 28, 1976 Label: Audionics 2013-02-2 Over the years, much has been written about Elvis' afternoon concert at the Summit in Houston, TX. on August 28, 1976. The review by Bob Claypool has often been cited in Elvis literature, and the general consensus appears to be that this concert was a real disaster. Some have even suggested that this show was Elvis' worst concert ever, and it has often been a hot discussion point amongst fans. Someone even wrote a book about the show.
And yet, no recording has ever turned up. Not even an audience recording. Much of what we have read so far about this show is based on the Claypool review. But reviews are always subjective, while an audio recording is obviously a more objective means to judge a performance. After a long and exhaustive search, Audionics was recently able to locate and purchase the original soundboard tape of this concert, and we are now pleased to announce its release.
No doubt this newly-discovered recording will generate even more discussion on the message boards, as Elvis fans are now finally able to judge this controversial show for themselves. Audionics has gone to great lengths to find this recording and to bring you something truly new and unreleased. Some import labels are perfectly happy to bring you the same old stuff again & again, but at least we always go that extra mile to bring you unheard material. And, in this case, a historically relevant recording that will now enable you to hear for yourself what really happened that afternoon. Support us and we will continue to bring you more surprises in the future.
The audio quality of this soundboard is topnotch, and the show itself is 80 minutes. The audience sounds like they were having a good time that afternoon, and it’s interesting to hear the one-off return of Jerry Scheff’s bass solo in “Polk Salad Annie” for the first time since 1972/’73. We believe that this significant release will lead to a more nuanced appraisal of this show in the future.
Presented in a deluxe digipack with unpublished photos and relevant liner notes, this is one release that you must own.
Elvis is very medicated throughout the show and it seems he was half asleep during the first part. In the middle section he slowly awakes and a few songs like America or Hurt get an almost fair treatment.
There are many rumours about the show. Now we have the definite audio proof about the real story there in Houston. Decide for yourself. (Ciscoking)